24,112 Royalty-Free Audio Tracks for "Audio Files Of Classical Music (unidentified Composer)"

Radio edit of "Stretched, Sagging, Worn-Out Anus" by the Hairy Nobs.

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The traditional cajun tune Jolé Blon, performed by Harry Choates

Cobalt - Elven Realm

OGG format performance of The Yama Yama Man, a song published in 1908 and therefore in the public domain

Nothing of Any Importance (In 4 TET), 55 seconds, Soprano and Tenor metallophones and flute. Made for Microtonal Music Day.

sound clip from Aakash Apoorv - Lost Memories (Original Mix)

Una furtiva lagrima from Gaetano Donizetti's 1832 opera L'elisir d'amore, sung by Enrico Caruso on 26 November 1911 for the Victor Talking Machine Company in Camden, New Jersey.[1]

The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Band, and performed by the Marine Band conducted by Lt. Col. Cline at Van Wezel Hall, Sarasota, Florida in 1977

Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]

Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)

Romance, mélodie composée en 1883 par Claude Debussy (1862-1918) sur un poème de Paul Bourget (1852-1935), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Romance, a melody composed in 1883 by Claude Debussy (1862-1918), text by Paul Bourget (1852-1935), performed in 1913 by Nellie Melba (1861-1931).

Pastiche of music from Richard Wagner's opera Die Walküre.

Grand Fantasie from the Grand Scenes album (2000), a pastiche with music from Richard Wagner's Die Walküre (The Valkyrie, 1856), recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia, USA.

Richard Wagner's overture to the opera Tannhäuser, played by the U.S. Marine Band for the album Director's Choice.

O frondens virga by Hildegard of Bingen, performed live. From Ordo Virtutum O frondens virga, In tua nobilitate stans, sicut aurora procedit. Nunc gaude et laetare et nos debiles dignare a mala consuetudine liberare, atque manum tuam porrige ad erigendum nos.

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

The Israeli/Jewish national anthem played by the U.S. Navy Band. Hymne national de l'État d'Israël joué par l'orchestre de l'United States Navy ਪੰਜਾਬੀ: ਇਜ਼ਰਾਇਲ ਦਾ ਰਾਸ਼ਟਰੀ ਗੀਤ ਅਮਰੀਕੀ ਨੇਵੀ ਬੈਂਡ ਦੁਆਰਾ ਵਜਾਇਆ ਗਿਆ

Pronunciation of the original title : Le nozze di Figaro Pronunciación del título original : Le nozze di Figaro Aussprache des Original-Titel : Le nozze di Figaro Prononciation du titre original : Le nozze di Figaro Italiano: Pronuncia del titolo originale : Le nozze di Figaro

Balada Fuions de ci

Short sample of Entre dos Aguas (Between two seas) by Paco de Lucia, played by Michael Laucke

Sonata no. 13 in b flat major, k.333 - ii. andante cantabile

Ogg file of Awadagin Pratt playing Alexander Scriabin's Étude Op. 8 No. 12

MIDI rendering of "Honte, paour, doubtance", a ballade by Guillaume de Machaut, 14th century

Mozart - Sonata No. 13 In B Flat Major, K.333 - II. andante cantabile

Mozart - Sonata No. 13 In B Flat Major, K.333 - I. allegro

Mozart - Piano Sonata in B-flat major, III. allegretto grazioso

Isaac Albéniz's Rondeña, from his piano suite Iberia, Book II. Composed 1905-1909, performed by La Pianista in 2014.

Shree Neelotpala Naayike, in the raga Reethigowlai. A composition by Muthuswamy Dikshitar. The rendition was part of the Smt Kalpakam Swaminathan memorial concert at Naada Inbam, Chennai.

The varnam, Viriboni, in the Bhairavi ragam and Ata Talam composed by Pachimiriyam Adiyappa. The varnam is played in the Veena Dhanam bani style.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

Oskar Böhme's Sextet in E-flat minor II. Scherzo, Allegro vivace performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Second Hungarian Rhapsody

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877

Victor recording from May 29, 1916. Matrix B-17760. "Hawaiian Portuguese tango" by Louise and Ferera. Guitar duet.

The Furiant from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances. Furiant z opery Sprzedana narzeczona Bedřicha Smetany w transkrypcji i wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych (ang. U.S. Marine Band) z albumu Courtly Dances. Čeština: Furiant ze Smetanovy opery Prodaná nevěsta, nahraná v přepisu orchestrem U.S. Marine Band pro album Courtly Dances. Македонски: Танц од Продадената невеста на Беджих Сметана во изведба на оркестарот на Морската пешадија на САД.

Hector Berlioz's Overture to the opera Benvenuto Cellini, played by the U.S. Marine Band for the album Overtures.

The Polka from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.

Wiegenlied (Berceuse) composé par Johannes Brahms, interprété par Ernestine Schumann-Heink (1861-1936) en 1915

The Dance of the Comedians from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

Movement II of Ottorino Respighi's The Pines of Rome, entitled The Pines Near a Catacomb. It is a is a majestic dirge, representing pine trees near a catacomb in Campagna..

Movement III of Ottorino Respighi's The Pines of Rome, entitled The Pines of the Janiculum. It is a nocturne, supposedly set near a temple, on the Janiculum hill, of the Roman god Janus. The actual sound of a nightingale is used in this movement.

Бетховен Людвиг Ван - Соната 8 для ф-но Патетическая в до миноре, Op. 13 - 2. Adagio cantabile

Piano concerto no. 2 in c minor, op. 18 - ii. adagio sostenuto

Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.

Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.

Kindertotenlieder, V. In diesem Wetter, in diesem Braus.